Prior to an episode’s actual production, the series director holds an animation meeting with the episode’s assigned production staff (episode director, assistant director, assistant production manager, animation supervisor, and art director) to ensure that nothing has been missed and to establish a production schedule. This is the stage at which all of the animation is produced based on the plan and schedule developed in the pre-production stage. The “Color Design” role was first credited in Dragon Ball GT. This task was originally performed by the chief designer, but has since been split off as a separate credited role. These model sheets provide varying perspectives of the character, including different facial expressions, gestures, and poses, and are intended to establish a standardized appearance for each animated character. Normal Son Goku, Super Saiyan Son Goku, etc.), of a character. The character designer creates model sheets for each version, or look (i.e. While the art designer may provide visual input for the character designs, such as their clothing, items, or auras, the character designer ultimately determines how to actually animate the character and represent them in motion. In an animated adaptation of a manga series, the character designer will also often consult and receive input from the series’ original author in reference to existing and new original characters. The character designer will often work closely with the series director and art designer to establish the overall look of the series’ characters. The character designer is responsible for creating detailed animation character designs to be used as reference by animators during the production stage and is often also the series’ supervising director of animation. A supervising staff member from each production department is represented in this stage, typically overseeing their respective department throughout the series’ entire production. A detailed schedule is produced and arrangements are made for the necessary production staff to be available to the directors at the appropriate times. ![]() The episode’s script, if not already complete, is written at this stage. During pre-production, the episode is broken down into individual scenes and all the story elements, locations, and characters, are identified. This is the stage in which all the planning for an episode takes place and its story and plot are developed. The majority of the franchise’s publicity has been handled by Fuji TV’s public relations staff, which is noted in the episode credits. They are in charge of the series publicity and advertising, along with providing the producers with feedback from the public. The public relations staff is responsible for managing the flow of information from Fuji TV and Toei Animation to the public. Once a series has been approved for production, the series’ main production staff are identified and the pre-production process can begin. Many factors are considered before a series’ production is approved, such as budget, profitability, and marketability. ![]() ![]() In this stage the concept of the series is presented to executives and producers from various companies in the form of a proposal. The development stage is the initial step in creating an animated series, and in essence is the business stage of the production process. Note that minor roles (assistants to main staff), and general roles (public relations, documentation, etc.) have not been included in this chart. The following chart illustrates the hierarchy of the main animation staff listed on this page, as divided up by production department, but does not represent the work path of the animation production process. Supplemental notes have also been included throughout to convey special details or slight changes in responsibilities possibly related to a specific production (movies, specials, etc).Īs with the entire Animation Production Guide, please note that the roles and responsibilities of these positions may differ at other animation studios and are only applicable to their role at Toei Animation. Each position’s listing provides a detailed explanation of its role and responsibilities, as well as discussing its interaction with other positions and production departments. These main production staff positions are listed below and have been divided up by the various stages of the production process: series development and planning, pre-production, production, and post-production. Throughout the course of the franchise the main production staff and their roles have remained relatively unchanged, even as the franchise’s animation production continues to shift to the use of more digital technologies and methods. Animation Production Guide Production Staff Positions & Roles
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